She began as Florence Catherine Currier, a determined young woman from Newton, Massachusetts, who refined her gift at Juilliard before following opportunity across the Atlantic. In Paris, she became Jane Morgan, singing in English and French, her voice drifting through smoke-filled clubs and ornate salons until the world leaned in to listen. By the 1950s, she was a familiar presence on American television, a calm, luminous figure whose songs seemed to slow time itself.

Her career stretched over six decades, a quiet masterclass in restraint and grace. She wore celebrity like a borrowed coat, never letting it swallow the person beneath. Fans remember not only the recordings, but the way she made eye contact, signed programs, and treated each meeting as a shared moment rather than an obligation. In Naples, Florida, she slipped away gently, leaving behind a songbook and a standard of elegance that younger artists still chase, proof that a single voice can shape how a generation remembers love, longing, and the passage of time.